Eaters of the Dead is a near-future dystopian tale that explores the fate of several individuals in a world running out of food and where the rich have seized power and now harvest the poor.

A documentary on the making of THE 13TH WARRIOR with interviews from the director, cast and crew, and some behind-scenes footage.

Set off the West Coast of Canada in 1965, a hip new teacher with a miniskirt and lots of ideas turns a small town upside down. The soft autumn light of Galiano Island is beautifully rendered in writer/producer Peggy Thompson's The Lotus Eaters, and that's not the only elusive element that this film has captured. In revisiting its particular time and place - the Gulf Islands of the early '60s -Thompson obviously draws on her own family experiences there. For those who share Thompson's love of Gulf Islands magic, the elements she has assembled will feel as familiar as their own childhood blanket. But there are problems at the core of this story about a family's loss of innocence.

Follows the lives of British expatriates living on the island of Crete, where their secrets will soon rise to the surface.

Jules (Alice May Connolly) is on a New Year's Eve trip with her new boyfriend and his two stoner friends in the wops of North Canterbury when they stumble across a long-abandoned stash in an old shed. After a quick session and an accidental murder, the marijuana turns them into enthusiastic cannibals. To cover the evidence of their murder, they decide to keep toking so they can devour the body. What will happen when the meat runs out? Who will be the next victim? The Weed Eaters is another entry into the beloved kiwi horror comedy canon. Shot on a deceptively low budget raised through crowdfunding and featuring appearances from Delaney Davidson, The Bats’ Paul Kean and comedian David Correos playing it straight. For a film about cannibalism, subtle effects keep the goriness to a minimum, so it’s even safe for all but the most squeamish. As with the best horror flicks, the true terror comes in the form of paranoia and growing mistrust between friends and as with many other gruesome faves it is not without social commentary as it explores New Zealand's relationship with drugs and how it affects friendships. — Jordan Salomen

An unemployed man who lives with his wife and overbearing mother-in-law sees an opportunity to relieve himself of the old bat, which tangles him in a maze of deception.

A thirteen year old kid, "the boy", lives and works in a cemetery. The cemetery is his whole life, and growing up with the dead instills in him an obsession and respect for death. His friends depend on him: An unhappy old man, a former political prisoner yearning for death, and makeup artist for deceased, a former artist who dreams of painting a masterpiece. The boy does what he can to help them. The old man attempts suicide, but upon learning the date of his death and seeing his beautiful plot chosen for him by the boy, he is able to bear his life. Upon meeting the beautiful Maria, "the boy" gives the former artist a surprise date with her. But when Maria and the artist become closer, the boy realizes that she is the daughter of the old man. The kid thinks the old man would die unhappy if he knew of her existence and so decides to hide the truth.

The definitive zombie culture documentary, brought to the screen by the makers of THE PEOPLE vs. GEORGE LUCAS.

Drag queens and club kids battle zombies craving brains during a zombie outbreak at their drag show in Brooklyn, putting personal conflicts aside to utilize their distinct abilities against the undead threat.